collection of passages / poems


I hope that when the world comes to an end, I can breathe a sigh of relief, because there will be so much to look forward to.


There are no more barriers to cross.
All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
My pain is constant and sharp, and I do not hope for a better world for anyone.
In fact, I want my pain to be inflicted on others.
I want no one to escape.
But even after admitting this, there is no catharsis; my punishment continues to elude me, and I gain no deeper knowledge of myself.
No new knowledge can be extracted from my telling.
This confession has meant nothing.


Everything failed to subdue me. Soon everything seemed dull: another sunrise, the lives of heroes, falling in love, war, the discoveries people made about each other. The only thing that didn't bore me, obviously enough, was how much money Tim Price made, and yet in its obviousness it did.
There wasn't a clear, identifiable emotion within me, except for greed and, possibly, total disgust. I had all the characteristics of a human being - flesh, blood, skin, hair - but my depersonalization was so intense, had gone so deep, that the normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning.
Something horrible was happening and yet I couldn't figure out why - I couldn't put my finger on it.


Perhaps for a long time yet you could continue to lie to yourself, deadening your senses. But the game is over. The world has stirred and you have not changed. Indifference has not made you any different. You are not dead. You have not gone mad. There is no curse hanging over you. There is no tribulation in store for you, there is no crow with sinister designs on your eyeballs, no vulture has been assigned the indigestible chore of tucking into your liver morning, noon, and night. No-one is condemning you, and you have committed no offence. Time, which see to everything, has provided the solution, despite yourself. Time, that knows the answer, has continued to flow. It is on a day like this one, a little later, a little earlier, that everything starts again, that everything starts, that everything continues.


that throughout Christian history saints have chosen asceticism as a method for unleashing and perfecting their personal freedom.

They wanted "to be free from the bonds of the body, of sleep, of food, of undesired thoughts," he said, adding that the religious vows of poverty, chastity and obedience are "institutionalized expressions of this desire to be free."

"Flagellation and other disciplines for inflicting pain on the flesh -- chains, pebbles in one's shoes, etc. -- are used to demonstrate that the person is the master even of pain," he said, just as fasting shows that "man is not the slave of basic needs like hunger or thirst, but that he can eat when and what he believes is sufficient."


The death of fire is the birth of air, and the death of air is the birth of water.
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.



A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.

And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass.

He glanced with rapid eyes
That hurried all abroad, —
They looked like frightened beads, I thought;
He stirred his velvet head

Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rowed him softer home

Than oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, plashless, as they swim.



How happy is the little stone
That rambles in the road alone,
And doesn't care about careers,
And exigencies never fears;
Whose coat of elemental brown
A passing universe put on;
And independent as the sun,
Associates or glows alone,
Fulfilling absolute decree
In casual simplicity.


But if it is hard to fix the precise instant, the subtle step when the mind opted for death, it is easier to deduce from the act itself the consequences it implies. In a sense, and as in melodrama, killing yourself amounts to confessing. It is confessing that life is too much for you or that you do not understand it.
Let's not go too far in such analogies, however, but rather return to everyday words. It is merely confessing that that "is not worth the trouble."
Living, naturally, is never easy. You continue making the gestures commanded by existence for many reasons, the first of which is habit. Dying voluntarily implies that you have recognized, even instinctively, the ridiculous character of that habit, the absence of any profound reason for living, the insane character of that daily agitation, and the uselessness of suffering.
What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land.


How important can it be that I suffer and think?
My presence in this world will disturb a few tranquil lives and will unsettle the unconscious and pleasant naiveté of others.
Although I feel that my tragedy is the greatest in history—greater than the fall of empires—I am nevertheless aware of my total insignificance.
I am absolutely persuaded that I am nothing in this universe; yet I feel that mine is the only real existence.


But first, what is sweet melancholy? On summer afternoons haven't you experienced that sensation of strange pleasure when you abandon yourself to the senses without any special thought and when imitations of serene eternity bring an unusual peace to your soul?


I exist. It is soft, so soft, so slow. And light: it seems as though it suspends in the air.


Don’t let yourself forget how many doctors have died, furrowing their brows over how many deathbeds. How many astrologers, after pompous forecasts about others’ ends. How many philosophers, after endless disquisitions on death and immortality. How many warriors, after inflicting thousands of casualties themselves. How many tyrants, after abusing the power of life and death atrociously, as if they were themselves immortal.
How many whole cities have met their end: Helike, Pompeii, Herculaneum, and countless others.

And all the ones you know yourself, one after another. One who laid out another for burial, and was buried himself, and then the man who buried him - all in the same short space of time.
In short, know this: Human lives are brief and trivial. Yesterday a blob of semen; tomorrow embalming fluid, ash. To pass through this brief life as nature demands. To give it up without complaint.
Like an olive that ripens and falls. Praising its mother, thanking the tree it grew on.


It is not just the suffocating fear of death that obsesses man; it is another terror, occurring rarely but intensely like flashes of lightning, like a sudden disturbance which forever eliminates the hope of future serenity.
It is impossible to pinpoint and define this strange premonition of madness.
The truly awful thing in madness is that we sense a total and irrevocable loss of life while we are still living. I continue to eat and drink, but I have lost whatever consciousness I bring to my biological functions. It is only an approximate death. In madness one loses the specific individual traits which single one out in the universe, the personal perspective and a certain orientation of consciousness.
In death one loses everything, by a fall into nothingness.


Is it not an illness to be constantly aware of your nerves, your feet, your stomach, your heart, every single part of your being?
With this awareness, haven't the organs abandoned normal functions?
The reality of the body is one of the most terrible realities.
What would the spirit be without the torments of the flesh, and consciousness without a great nervous sensibility?


The bath of fire invariable ends thus: when the inner conflagration has scorched the ground of your being, when all is ashes, what else is there left to experience?
There is both mad delight and infinite irony in the thought of my ashes scattered to the four winds, sown frenetically in space, an eternal reproach to the world.



(my favourite poem)

A bear, however hard he tries,
Grows tubby without exercise.
Our Teddy Bear is short and fat,
Which is not to be wondered at;
He gets what exercise he can
By falling off the ottoman,
But generally seems to lack
The energy to clamber back.

Now tubbiness is just the thing
Which gets a fellow wondering;
And Teddy worried lots about
The fact that he was rather stout.
He thought: "If only I were thin!
But how does anyone begin?"
He thought: "It really isn't fair
To grudge one exercise and air."

For many weeks he pressed in vain
His nose against the window-pane,
And envied those who walked about
Reducing their unwanted stout.
None of the people he could see
"Is quite" (he said) "as fat as me!"
Then, with a still more moving sigh,
"I mean" (he said) "as fat as I!

Now Teddy, as was only right,
Slept in the ottoman at night,
And with him crowded in as well
More animals than I can tell;
Not only these, but books and things,
Such as a kind relation brings -
Old tales of "Once upon a time,"
And history retold in rhyme.

One night it happened that he took
A peep at an old picture-book,
Wherein he came across by chance
The picture of a King of France
(A stoutish man) and, down below,
These words: "King Louis So and So,
Nicknamed 'The Handsome!'" There he sat,
And (think of it!) the man was fat!

Our bear rejoiced like anything
To read about this famous King,
Nicknamed "The Handsome." There he sat,
And certainly the man was fat.
Nicknamed "The Handsome." Not a doubt
The man was definitely stout.
Why then, a bear (for all his tub )
Might yet be named "The Handsome Cub!"

"Might yet be named." Or did he mean
That years ago he "might have been"?
For now he felt a slight misgiving:
"Is Louis So and So still living?
Fashions in beauty have a way
Of altering from day to day.
Is 'Handsome Louis' with us yet?
Unfortunately I forget."

Next morning (nose to window-pane)
The doubt occurred to him again.
One question hammered in his head:
"Is he alive or is he dead?"
Thus, nose to pane, he pondered; but
The lattice window, loosely shut,
Swung open. With one startled "Oh!"
Our Teddy disappeared below.

There happened to be passing by
A plump man with a twinkling eye,
Who, seeing Teddy in the street,
Raised him politely to his feet,
And murmured kindly in his ear
Soft words of comfort and of cheer:
"Well, well!" "Allow me!" "Not at all."
"Tut-tut! A very nasty fall."

Our Teddy answered not a word;
It's doubtful if he even heard.
Our bear could only look and look:
The stout man in the picture-book!
That 'handsome' King - could this be he,
This man of adiposity?
"Impossible," he thought. "But still,
No harm in asking. Yes I will!"

"Are you," he said,"by any chance
His Majesty the King of France?"
The other answered, "I am that,"
Bowed stiffly, and removed his hat;
Then said, "Excuse me," with an air,
"But is it Mr Edward Bear?"
And Teddy, bending very low,
Replied politely, "Even so!"

They stood beneath the window there,
The King and Mr Edward Bear,
And, handsome, if a trifle fat,
Talked carelessly of this and that….
Then said His Majesty, "Well, well,
I must get on," and rang the bell.
"Your bear, I think," he smiled. "Good-day!"
And turned, and went upon his way.

A bear, however hard he tries,
Grows tubby without exercise.
Our Teddy Bear is short and fat,
Which is not to be wondered at.
But do you think it worries him
To know that he is far from slim?
No, just the other way about -
He's proud of being short and stout.



I sigh at day-dawn, and I sigh
When the dull day is passing by.
I sigh at evening, and again
I sigh when night brings sleep to men.
Oh! it were far better to die
Than thus forever mourn and sigh,
And in death's dreamless sleep to be
Unconscious that none weep for me;
Eased from my weight of heaviness,
Forgetful of forgetfulness,
Resting from care and pain and sorrow
Thro' the long night that knows no morrow;
Living unloved, to die unknown,
Unwept, untended, and alone.


Emily Dickinson

My Life had stood - a Loaded Gun -
In Corners - till a Day
The Owner passed - identified -
And carried Me away -


And now We roam in Sovreign Woods -
And now We hunt the Doe -
And every time I speak for Him
The Mountains straight reply -


And do I smile, such cordial light
Opon the Valley glow -
It is as a Vesuvian face
Had let it’s pleasure through -


And when at Night - Our good Day done -
I guard My Master’s Head -
’Tis better than the Eider Duck’s
Deep Pillow - to have shared -


To foe of His - I’m deadly foe -
None stir the second time -
On whom I lay a Yellow Eye -
Or an emphatic Thumb -


Though I than He - may longer live
He longer must - than I -
For I have but the power to kill,
Without - the power to die -


"Annabel Lee"

by Edgar Allen Poe

It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee;
And this maiden she lived with no other thought
Than to love and be loved by me.


I was a child and she was a child,
In this kingdom by the sea,
But we loved with a love that was more than love—
I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
Coveted her and me.


And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.


The angels, not half so happy in Heaven,
Went envying her and me—
Yes!—that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.


But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee;


For the moon never beams, without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In her sepulchre there by the sea—
In her tomb by the sounding sea.



But that the dread of something after death,
The undiscovere'd country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience doth make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.